Installation for Widdershins (curated by Kate Wislon-Hilferty).
The Animations were a collection of 3D renders, animated stills and recorded footage which were edited in post to create stark black and white animations which obscure the original.
Shown as a multiscreen installation, the work looks at disrupting notions of the moving image within exhibition contexts by creating a non linear timeline, as videos fall in and out of sync with each other, offering the viewer unexpected links between seemingly separate pieces of video.
